I wouldn’t normally associate the 1993 Schumacher film Falling Down with the Netflix/Marvel Daredevil series, especially since Schumacher didn’t astound me, given the source material he had to work with. However, there is a common thread between the two properties besides their antagonists’ initials – the descent of their characters and how they perceive themselves.
Before film became possible through Edison and the Lumière Brothers’ fantastical inventions, theater had reigned as the primary dramatic performance artform for thousands of years. Though sharing much of the same lineage, there are fundamental differences in the way that film and theater are conceived, planned, acted, and consumed.
Whereas it it true that gear matters much less than a good eye and a good set of camera skills, a decent rig can help that good eye translate into great output. People spend thousands of dollars on their starter rigs – but a great professional rig can be had for under $1500 if you have a few decent photography lenses laying around. It also includes a great audio capture solution.
For the second time, my 48 Hour Film Project team, Shoot the Moon Films, decided to enter the Boston 48 Hour Film Project for the 2015 event – along with 89 other teams. What follows is my record of both the timetable/process we used and a post-mortem analysis of the flaws and potential improvements in our processes in creating “Acceptance”.
If you’re like me, you churn out a pretty hefty load of both digital film negatives (camera RAW images) and film footage (RAW or ProRes for me, but you may use a different format). This has always posed an issue for backing up original footage and photographs.
Sophia Coppola’s freshman feature film, The Virgin Suicides, initially struck me as a very disquieting film. Using the guise of average suburban life and teenage maturation rituals, Coppola delivers an interesting viewpoint on innocence and normalcy.
Tim Burton’s stylized 1989 Batman film was responsible for bringing the masked vigilante back onto the movie screen in a more serious light than Adam West’s comedic portrayal of the caped crusader. He brought many interesting elements to the introduction of The Batman, which I would like to examine in detail.
Peter Sellers was an enigmatic enigma – at least, if we are to believe the 2004 biopic The Life and Death of Peter Sellers. This film combines a fascinating biographical picture of Peter Sellers the man with the relatively unused technique of sliding effortlessly between not only epistemological layers, but also expository styles and even points of view. Peter Sellers effectively retcons his life.
Spike Lee’s 2000 film Bamboozled was seen by many (including the late Roger Ebert) as being too shocking to effectively convey the social message it had wrapped in its unusual satirical bent, steeped heavily in elements of Lumet’s Network. I’d like to examine some of the more subtle camera angles, movement, and composition to dig deeper into the way Bamboozled tells its story.
“All people know the same truth. Our lives consist of how we chose to distort it.” - Harry Block
Although film scholars tend to focus mainly on Woody Allen’s early body of work, especially films like Annie Hall, many of his later works can teach us an impressive amount about the subtle craft of creating a film. Deconstructing Harry, made twenty years after Annie Hall, can teach us about the power of discontinuous editing to further a narrative.